‘New Low’ is really the antithesis of its own title. We Were Sharks have easily put out the best album of their career so far, and as the halfway point of 2021, it should easily be a contender for any pop-punk fan’s album of the year. Read More
As much as the gatekeepers might hate to admit it, bands like Twenty One Pilots are the future of alternative music and are very much keeping the scene alive. As ‘Scaled And Icy’ proves, the future is looking bright. Read More
‘The Day We Got What We Deserved’ is undoubtedly timeless, bridging the gaps between genre and decade to make a timeless album that can be endlessly enjoyed. Read More
‘Dear Lemon House, You Ruined Me: Senior Year’ continues to cement Kaonashi as one of the most innovative bands of their genre. It might just take a few spins to get you to realise that, but once you’ve grasped it you’ll never want to let go. Read More
‘A Better Dystopia’ starts off fairly poor and one directional, but does improve as the tracks go by and as the lands further a field are explored to add at least some variety to proceedings. Read More
With a fourth album title as presumptuous as ‘Greatest Hits’, there was always going to be some level of pressure to succeed, and these seventeen tracks completely deliver. Read More
‘Zombie II’ dives into the heavier side of The Devil Wears Prada with impressive results, as the sextet continue to explore their sound and capabilities on their own terms. Read More
A powerhouse of a debut release, ‘Culling Culture’ delivers a sharp and direct dose of modern metalcore without outstaying its welcome. Read More
Admittedly, One Morning Left aren’t breaking new ground here. ‘Hyperactive’ sees them mostly employing their tried and tested formula over the years, and you can’t blame them for taking the ‘if it ain’t broke then don’t fix it’ approach. Read More
Myles Kennedy’s sophomore solo effort shines a light on his strongest attributes, from his rich vocals to his formidable guitar skills, and neither of those are in short supply. Read More
© DEAD PRESS! 2020