‘Wild, Free’ makes for better ambient background music rather than a fully immersive listening experience. Tracks bleed into each other, with the only distinction being the varying degrees at which synths and bass pulse. Read More
With this EP, Madina Lake have displayed a profound ability to adapt to new surroundings without detracting from their overall essence. Read More
If nothing else, Kellin Quinn through Downer Inc. has created a piece of art that unites us in our frustrations and infatuations despite our physical distance. Read More
Cold Years are feeling reflective in their full-length debut, ‘Paradise’. It’s a feel-good record whose edges are tinged with melancholia, making for an emotionally diverse listen. Read More
PVRIS have undergone a metamorphosis with their third record, ‘Use Me’, shedding their skin to reveal a shiny new set of scales that scream strength and eloquence. Read More
Point North have come too far to turn back now. With a debut so seamless, this new future looks very promising for the Californian trio. Read More
It’s ironic that an EP concerned with letting go and moving on would reuse and remodel pre-existing tracks, but perhaps that is the poetic intent behind it. Read More
‘Rise And Shine’ is a playful country offering from an ex-pop-punker designed to be taken at face value, yet it’s hard to escape the feeling that it’s an overall restrained piece of work. Read More
For Black Veil Brides, their debut ‘We Stitch These Wounds’ left behind an itch that they just couldn’t resist scratching. Read More
‘Violent Grief: Acoustic Selections’ will certainly be best enjoyed by Moon Tooth fans who are familiar with the songs in their original form. Read More
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