‘Paint The Sky With Blood’ serves as a compelling testament to the genius of Alexi Laiho, as well as an effecting and melancholic reminder of what Bodom After Midnight could have become. Read More
The eleven utopiancore anthems that The Armed have crafted on ‘Ultrapop’ are works of sheer imaginative brilliance, and add up to one of the best albums of 2021 thus far. Read More
Cannibal Corpse are ageing with surprising grace. They’re still surrounded by controversy and carnage, but their thematic violence has become considerably more refined and consciously designed. Read More
Ahead of the release of Eyehategod’s sixth-full length album, ‘A History Of Nomadic Behavior’, we caught up with vocalist Mike IX Williams about the pandemic, the band’s origins, and his unique approach to lyric writing. Read More
‘Is 4 Lovers’ isn’t Death From Above 1979’s best album. In fact, it’s probably their weakest. However, it still possesses much of the boisterous charm that made Jesse Keeler and Sebastien Grainger cult heroes in the first place… Read More
‘Lifeblood’ is a dense and ostentatious forty minute head pummelling, a veritable smorgasbord of proudly over the top modern deathcore. Read More
‘Inheritance’ isn’t especially original, yet what makes it stand out is its sense of familiarity. There’s an austere opulence to its craft that’s missing from both old school deathcore’s meat-headed obnoxiousness and the new wave’s commitment to intense maximalism. Read More
The final line of “Kill your boss” ends the album on an appropriately anarchic note, and reminds you of the genuinely dangerous and transgressive power that Eyehategod possess. Read More
Wolf King look like the real deal. They’ve mastered the foundations, now it’s time for them to break them down and rebuild them in their own hallowed image. Read More
There’s enough technical skill, fantastical silliness, and sheer sense of joy on display here to make ‘United In Chaos’ a fun, captivating listen. Read More
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