The talent of Daniel Tompkins remains clear for all to see, and he’s already delivered some great work in the past. But, perhaps, re-working existing songs may not quite be among his strengths just yet. Read More
Even if there’s a little over-emphasis on technical ability, which makes it blend into one and may wash over some for the most part, fans will no doubt be impressed with the new offering from Within The Ruins. Read More
While some have followed the cross-genre zeitgeist and fallen over themselves, ‘Cloud City’ clearly demonstrates why VRSTY are one of the best bands currently doing this sound. Read More
Wasting no time at all, ‘Weight Of The False Self’ both delivers a slab of fun, no nonsense hardcore, and will go down an absolute storm with their fans. Read More
Refused sadly don’t feel quite as vital as they used to, but, with all things considered, ‘The Malignant Fire’ EP does do what it sets out to do; deliver an immediate, simple punch of politically charged material. Read More
Seahaven have given fans the perfect return, with ‘Halo Of Hurt’ being an album which feels incredibly comforting, but at the same time feels powerful in many ways. Read More
There are definitely some pointers in the right direction for the future, and this style clearly suits him better than Eskimo Callboy, but Ghøstkid’s debut offering is unfortunately as surface-level as it comes, from the musical canvas to the lyrics. Read More
‘Power Up’ achieves exactly what it sets out to do, delivering AC/DC’s signature brand of good times rock ‘n’ roll. Read More
In a year where there’s been many contenders, the brilliantly-titled ‘Wonderful Hell’ may be one of the best politically-charged albums of 2020. Read More
‘Manifest’ will definitely have an audience, and Bone Crew are slightly more distinguishable from Attila, but the inherent vanity and general charmlessness of this record will continue to pigeon-hole Fronz as the cartoon villain. Read More
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